BOSTON MARRIAGE - by David Mamet  
 JUNE 21, 22, 28, & 29
“Wickedly, wittily entertaining…What makes the play…such brilliant fun is its marriage of glinting period artifice and contemporary frankness.”Boston Phoenix.
Meet two “women of fashion” who have lived together on the fringes of upper-class society. Anna is the mistress of a wealthy man while Claire is infatuated with a respectable young lady and wants to enlist the jealous Anna’s help for an assignation. All while exchanging barbs and taking turns at taunting Anna’s hapless Scottish parlor maid. A wickedly, funny comedy.
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 INTO THE WOODS - James Lapine & Stephen Sondheim
 AUGUST 9, 10, 16, & 17
"Total enchantment. A spellbounding score, witty enough to make old stories fresh for adults, lovely enough to enchant youngsters."
– Daily News
The story follows a Baker and his wife, who wish to have a child; Cinderella, who wishes to attend the King's Festival; and Jack, who wishes his cow would give milk. When the Baker and his wife learn that they cannot have a child because of a Witch's curse, the two set off on a journey to break the curse. Everyone's wish is granted, but the consequences of their actions return to haunt them later with disastrous results
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    THE GLASS MENAGERIE - by Tennessee Williams  
SEPTEMBER 20, 21, 27, & 28
"The Glass Menagerie like spring, is a pleasure to have in the neighborhood"
- The New Times
Amanda Wingfield is a faded remnant of Southern gentility who now lives in a dingy St. Louis apartment with her son, Tom, and her daughter, Laura, who has a physical handicap and debilitating shyness. When Amanda convinces Tom to bring home from his workplace a “gentleman caller” for Laura, the illusions that Tom, Amanda, and Laura have each created in order to make life bearable collapse about them.
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   THE THANKSGIVING PLAY - by Larissa FastHorse  
 NOVEMBER 8, 9, 15, & 16
“Very, very funny... this clever satire is something for which to be truly thankful.”
 Hollywood Reporter
Good intentions collide with absurd assumptions in this wickedly funny satire, as a troupe of terminally “woke” teaching artists scrambles to create a pageant that somehow manages to celebrate both Turkey Day and Native American Heritage Month.
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